Glyph images were rendered into a fixed 128x128 buffer and their width and
height were clamped to 128. Since glyphs are rasterized at the requested
scale (f96a14a0), large text such as title cards lost every row and column
past 128 pixels, so letters were drawn cut into bands.
The glyph buffers now grow to the glyph's bitmap box and width_byte is the
glyph's width. The VGA fallback font keeps its 128-pixel limit; scalable
glyphs are limited to 4096 pixels only to reject absurd scales.
* controller: cycle DualSense speaker volume, vibration and trigger intensity in game
Three new input mapping controls cycle the PS5's controller settings in
game (default keys 1, 2 and 3): speaker volume (100% -> off -> 2% -> 12%
-> 42%), vibration intensity and trigger effect intensity (strong -> off
-> weak -> medium). Each starts at full and is not saved.
Changing vibration or trigger intensity re-sends the game's last rumble
and trigger effect, so the change is felt immediately.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Clean up controller settings test captures and formatting
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Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: nmzik <Nmzik@mail.ru>
* audio: play pad speaker ports on the DualSense speaker
Route the right channel to the speaker with the audio-control values the Linux hid-playstation
driver uses without headphones, and fall back to the main output while no DualSense audio device
is active. Also stop the previous DualSense's rumble when another DualSense becomes active.
* audio: harden DualSense speaker routing and fallback
---------
Co-authored-by: nmzik <Nmzik@mail.ru>
* audio: play DualSense haptics from vibration audio ports
Games drive the DualSense's actuators through a vibration audio port, one channel per actuator.
These ports had no device, so their samples were dropped. Over USB the DualSense is a 4-channel
audio device whose back channels feed the actuators; play the port's samples there through SDL.
The device is looked up while the port plays, so the controller can be connected at any time. The
queue keeps about the latency of the regular audio path, with the playback rate nudged by up to 3%
when the port is fed off real time.
While haptic audio plays, hold a DualSense's rumble at zero: SDL disables audio haptics whenever
rumble is non-zero.
Add pad_haptics tests for the sample conversion, device-name matching and rate correction.
* Simplify DualSense audio haptics and restore idle rumble
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Co-authored-by: nmzik <Nmzik@mail.ru>
* AvPlayer: advance the shared audio-master clock after final audio frame
* AvPlayer: initialize padded NV12 planes with neutral black
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Co-authored-by: nmzik <Nmzik@mail.ru>
* audio: support standard NGS2 PCM16 sampler playback
Extend the existing fixed-point PCM path to standard samplers, loops, and progress reporting. Apply voice events immediately and honor callback interruption during source advancement.
Reuse upstream rate and pitch handling. Add regression coverage for streaming, routing, callbacks, loops, and custom sampler controls; ngs2_sampler passes.
* audio: apply NGS2 rear low-pass filters
Handle rear low-pass FCQ controls at the output sample rate with per-channel history and channel masks. Preserve filter tails through streaming gaps and use the standard pi constant for coefficients.
Add regression coverage for frequency response, control layout, channel isolation, and starvation/refill continuity. Emulator build and both audio test suites pass.
* Preserve resampling phase for accepting voices
Only reset voice.sample_phase when there are no blocks and the voice does not accept blocks (change in src/libs/ngs2.cpp). Add TestResamplingPhaseAfterStarvation to tests to ensure sampler and custom sampler retain resampling phase and pending source advancement after starvation, and that SetupSampler still resets the phase. This prevents resampling phase loss during starvation/refill across sample rates.
* audio: correct sampler controls, lifecycle, and filter tails
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Co-authored-by: nmzik <Nmzik@mail.ru>
Devran Cosmo Uenal
